首页 | 本学科首页   官方微博 | 高级检索  
     

岩彩画:一种奇异的艺术返祖现象
引用本文:徐卫. 岩彩画:一种奇异的艺术返祖现象[J]. 南通大学学报(哲学社会科学版), 2002, 18(3): 116-119
作者姓名:徐卫
作者单位:南通师范学院美术系 江苏南通226007
摘    要:中国画坛在由传统走向现代的大趋势下 ,出现了“岩彩画”这一新的绘画样式。从表面上看 ,岩彩画的出现 ,是由于绘画材料的变革和相应技法的翻新。从本质上来说 ,则是与中国画色彩观念的革新紧密相联 ,即对“随类赋彩”与“墨分五色”传统色彩观的不断超越。岩彩画是以色彩的新颖、独特来显示其艺术魅力的。近年来 ,岩彩画取得了令人可喜的成绩 ,但从中国画发展的整体进程看 ,目前取得的突破 ,仅是一个开始 ,如何把握岩彩画未来发展趋势 ,关键在于解决好传统性与现代性的关系问题。

关 键 词:中国画  岩彩画  色彩观  传统性  现代性
文章编号:1003-7489(2002)03-0116-04
修稿时间:2002-04-20

Rock Painting: an Amazed Art Reversion
XU Wei. Rock Painting: an Amazed Art Reversion[J]. Journal of Nantong University:Social Sciences Edition, 2002, 18(3): 116-119
Authors:XU Wei
Abstract:With the modernization trend of the Chinese art circle, there has appeared "rock painting", a new form of painting, which, superficially speaking, may result from the revolution of materials and renovation of techniques. However, this form of painting owes much to the revolution in the color beliefs of the Chinese paintings, i.e. a surpass beyond the traditional color belief of giving touches of painting depending on categories and division of colors into five groups. Moreover, the probe into rock painting which is a fusion of eastern and western styles and renowned for its novelty and uniqueness, has amounted to satisfactory achievements. Yet, judging from the development of the Chinese painting, such a breakthrough can only be viewed as a beginning; what is more crucial is to establish a harmonious relation between tradition and modernity to command the future development of rock painting.
Keywords:the Chinese painting  rock painting  beliefs of color  tradition  modernity
本文献已被 CNKI 等数据库收录!
设为首页 | 免责声明 | 关于勤云 | 加入收藏

Copyright©北京勤云科技发展有限公司  京ICP备09084417号