| 音乐批评中的文化转向与当代意义 |
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| 引用本文： | 熊晓辉. 音乐批评中的文化转向与当代意义[J]. 南通大学学报(哲学社会科学版), 2009, 25(3): 93-95 |
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| 作者姓名： | 熊晓辉 |
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| 作者单位： | 吉首大学,师范学院,湖南,吉首,416000 |
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| 基金项目： | 教育部社会科学规划基金 |
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| 摘 要： | 音乐批评依据着某些基本的客观标准来对音乐现象进行实事求是、客观公正的评说,基于不同的文化基础,形成了众多的音乐批评流派,在20世纪西方结构主义等批评思潮的影响下,音乐研究开始走向"音乐文化研究","语境"成了音乐批评的重要因素.当代音乐批评应站在审美与和谐的角度去欣赏、感悟音乐,体现音乐评论的客观性.
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| 关 键 词： | 音乐批评 文化转向 审美 当代意义 |
Cultural Diversion and its Contemporary Meanings in Music Criticism |
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| XIONG Xiao-hui. Cultural Diversion and its Contemporary Meanings in Music Criticism[J]. Journal of Nantong University:Social Sciences Edition, 2009, 25(3): 93-95 |
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| Authors: | XIONG Xiao-hui |
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| Affiliation: | The Normal College of Jishou University;Jishou 416000;China |
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| Abstract: | Based on particular objective criteria,music criticism comments on musical pieces practically,realistically and justly.The variety of cultures has resulted in various schools of music criticism.Influenced by criticism thoughts of the west structuralism in the twentieth century,musical studies began to take up "music cultural studies",and "context" became the important factor of music criticism.Existing problems in contemporary music criticism suggest that we should appreciate and understand music from aesth... |
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| Keywords: | music criticism cultural diversion aesthetic judgment contemporary meanings |
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