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现代观念与电视剧创作
引用本文:徐景熙.现代观念与电视剧创作[J].南通大学学报(哲学社会科学版),2002,18(4):60-63.
作者姓名:徐景熙
作者单位:南通师范学院中文系 江苏南通226007
摘    要:转型期的文学艺术总体格局出现了引人注目的变化 ,电视剧已成为百姓日常文化消费的主要对象 ;在艺术风格上呈现世俗化、平民化趋向的电视剧创作 ,同样要“代表先进文化的前进方向” ,这就要求创作者更新并优化观念。现代观念的涵义是丰富的 ,与时俱进的 ;一些电视剧的缺失都可以从中找到原因。而近几年涌现的一批在大众化、精品化方面取得重大进展的多种题材的电视剧 ,关键在于观念的突破带动了思想和艺术的创新

关 键 词:电视剧  现代观念  与时俱进  题材  创新
文章编号:1003-7489(2002)04-0060-04
修稿时间:2002年9月6日

Modern Ideology and Production of TV Plays
XU Jing-xi.Modern Ideology and Production of TV Plays[J].Journal of Nantong University:Social Sciences Edition,2002,18(4):60-63.
Authors:XU Jing-xi
Abstract:The general outline of literary arts in the transformation era displays some significant changes and TV plays have become the primary means of entertainment for common people. The production of TV plays, which shows a trend of sophistication and communization, should also represent the development of the advanced culture. This requires the producers to renovate and optimize their ideology in producing TV plays. Modern ideology is rich in contents and in keeping with the times, which may help to account for the defects with a few TV plays. The great progress, in terms of popularity and quality and made in the recently-produced TV plays of a variety of themes, can be attributed mainly to the breakthrough in ideology which has brought about the creation in thinking and arts.
Keywords:TV plays  modern ideology  in keeping with the times  theme  creation
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