唐宋词体式组合规律探赜

唐宋词体式组合规律主要表现在：它是以意群为单位。意群间以收句奇偶的不同呈现三种形式：一为纯奇纯偶收结；一为奇偶交错收结；一为独立意群示拗收结。纯奇纯偶收结。意群间应照应，但可过渡可不过渡，均谐；奇偶交错收结，意群间必须过渡，否则不谐；独立意群示拗收结，意群间不必过渡，仍谐。由纯奇纯偶收结体到奇偶交错收结体再到拗体，反映了词体组合不断复杂优化的创造性发展过程，是唐宋词创调大家名家高度智慧的表现。文中还揭示了照应与多种过渡的方法，及拗体的多种表现形式；并阐明了词体组合规律在节律学与音韵学上的原理。

On the Stylistic Combination Law of Tang and Song Poetry

The main feature of the stylistic combination law of Tang and Song poetry is that it is a unit of a sense-group.The difference to achieve parity ending among sense groups has three forms,with the first one ending by pure even or uneven sentence,the second one ending by the resumption between even and uneven sentence and the last one ending by independent sense group called Ao Style.The above-mentioned three ending styles all have their specific features.From the ending by pure even or uneven sentence to the ending by the resumption between even and uneven sentence and to the ultimate ending by independent Ao Style sense group,the continuous and complicated optimization of the creative development of poetry style combination is clearly shown,which is a show window of highly intelligent note player's performance in Tang and Song Dynasties.The paper also reveals the methods of realizing reference and transition as well as the various manifestations of Ao Style.At the same time,the paper also explains the theory of poetry's stylistic combination law from the perspective of rhythm and phonology.