| 吴昌硕"与古为新"的美学思想 |
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| 引用本文： | 陈健毛. 吴昌硕"与古为新"的美学思想[J]. 南通大学学报(哲学社会科学版), 2007, 23(2): 33-36 |
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| 作者姓名： | 陈健毛 |
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| 作者单位： | 武汉大学,哲学学院,湖北,武汉,430072 |
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| 摘 要： | 吴昌硕“与古为新”的绘画创新思想，在原文中意即引上古金石篆籀文字的笔法笔意入画，进行传统文人画的创新，深层而言是在文人画商品化的历史语境中，整合中国古代文化和艺术中富有活力的因子，赋予传统文人画新的生命质地，从而创作出适应市场需要和体现时代精神的绘画作品，所以他这种绘画创新思想具有与时俱进的艺术品格。
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| 关 键 词： | 吴昌硕 与古为新 文人画商品化 引书入画 时代精神 |
| 文章编号： | 1673-2359（2007）02-0033-04 |
| 收稿时间： | 2007-01-30 |
| 修稿时间： | 2007-01-30 |
On Wu Changshuo's Esthetic Thought of "Endowing the Old with the New" |
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| CHEN Jian-mao. On Wu Changshuo's Esthetic Thought of "Endowing the Old with the New"[J]. Journal of Nantong University:Social Sciences Edition, 2007, 23(2): 33-36 |
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| Authors: | CHEN Jian-mao |
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| Abstract: | With an eye to innovate the traditional literators' painting,Wu Changshuo's innovative theory of "endowing the old with the new" in painting means to take in painting's significance of ancient seal handwriting's form and style,the profound meaning of which lies in the purpose,within the historical trend of the commercialization of the traditional literators' paintings,of arousing and bringing out the vigorous factors of traditional Chinese culture and arts so as to endow the traditional literators' painting with the new vitality and create paintings that are market-oriented and embodied with the time spirits.To make a long sentence short,Wu's innovative theory in painting has the artistic quality of going forward with times. |
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| Keywords: | Wu Changshuo," endowing the old with the new" ,the commercialization of the literators' painting,drawing calligraphy into painting,time spirits, |
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