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绘画创作中的格状构图研究
引用本文:陆正虹. 绘画创作中的格状构图研究[J]. 南通大学学报(哲学社会科学版), 2013, 0(5): 72-76
作者姓名:陆正虹
作者单位:南通大学 艺术学院,江苏 南通,226007
摘    要:构图是造型艺要的要素之一,也是绘画形式美的具体体现。无论是西方绘画还是中国绘画,不同的构图形式均可增强画面的艺术表现力。画面绘画创作中的构图方法颇多,格状构图即是被广泛运用的构图方法之一。格状构图在形态上分为双格构图、多格构图、不规则格构图、交叉格构图、套格构图。格状构图在创作中的具体运用,既是创作者主观意念的重构、多元信息的传递,也是创作者强烈的视觉符号及其心灵的空间拓展。当然,格状构图方法的总结,能为绘画的创作与欣赏提供参考价值,但也不应成为画家们创作的桎梏,因为艺术创作总是在规律的不断形成与打破中向前发展。

关 键 词:格状构图  绘画创作  造型艺术

Grid Composition in Drawings
LU Zheng-hong. Grid Composition in Drawings[J]. Journal of Nantong University:Social Sciences Edition, 2013, 0(5): 72-76
Authors:LU Zheng-hong
Affiliation:LU Zheng-hong (School of Fine Arts, Nantong University, Nantong 226007, China)
Abstract:Composition is one of the elements in formative arts, and is also a concrete presentation of the beauty of drawings. In both western drawings and Chinese drawings, different compositions contribute a lot to the artistic presentation of drawings. Composition in drawings fall into many types, and grid composition is one of the widely-used compositions. In terms of forms, grid composition can be divided into double composition, multiple composition, irregular composition, crossing composition and overlapping composition. The application of grid composition is the re-construction of creators' ideology and transmission of information, and also a visual symbol and the extension of their spirits. Of course, the research on grid composition can provide references for drawing creation but cannot be regarded as an unavoidable oattern.
Keywords:drawing creation  grid composition  formative arts
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