| 吴贻弓执导电影的中和之美 |
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| 引用本文： | 李蓉. 吴贻弓执导电影的中和之美[J]. 南通大学学报(哲学社会科学版), 2005, 21(2): 156-160 |
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| 作者姓名： | 李蓉 |
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| 作者单位： | 中共南通市委,宣传部,江苏,南通,226018 |
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| 摘 要： | 吴贻弓作为中国影坛“第四代”导演的代表人物，其执导电影《巴山夜雨》、《城南旧事》、《阕里人家》享誉一时，且一直为业内人士所推崇。吴贻弓执导电影充分继承中国美学思想中“和”的特点，以“和平的音乐的心境”寻求一种温柔敦厚的和谐与适度，给当时中国影坛带来一股清新之风。吴贻弓遵循的和谐发展原则，其作品所展示的“中和”之美，至今仍有启示意义和审美价值。
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| 关 键 词： | 吴贻弓 电影 中和之美 |
| 文章编号： | 1673-2359(2005)02-0156-05 |
| 修稿时间： | 2005-04-13 |
The Moderate Beauty of Wu Yigong's Movie Directions |
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| LI Rong. The Moderate Beauty of Wu Yigong's Movie Directions[J]. Journal of Nantong University:Social Sciences Edition, 2005, 21(2): 156-160 |
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| Authors: | LI Rong |
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| Abstract: | Wu Yigong, the 4th generation movie director, was well known for his famous movies like The Night Rain in Ba Mountain, The old Tales in the South City, and The Family in Queli etc. Wu's direction idea is that of moderation, Chinese aesthetic thought, training people the moderate and suitable nature. He brought in new trends in China. |
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| Keywords: | Wu Yigong movie moderate beauty |
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