王国维美学范畴论

王国维美学范畴体系的建立经历了三个时期 ,最早的美学范畴来自康德和叔本华 ,后渐渐注重中国文学的实践 ,提出古雅等范畴 ,最终在境界说中完成了美学体系的构建。王国维的美学范畴体系 ,继承了中国文化的血脉 ,思想方法却是西方的。古代美学的结构重心是作家和作品的关系 ,而王国维则从作家和社会现实的关系立论 ,以“真”作为核心范畴 ,把文学艺术的意义的来源从对道的阐释转换为对现实生活的审视 ,用现代认识论方法重新整合古典审美范畴体系 ,从而实现了古代美学的现代转换

On Wang Guowei's Aesthetic Scope

The system of Wang Guo-wei's aesthetic scope experiences three stages. The earliest one was directly from Kant and Schopenhauer. Later he began to pay more attention to the practice of Chinese literature and put forward classical elegance. At last he came to the level of completing the structure of the aesthetic system. Although Wang's system succeeds to the Chinese culture, his views are westernized. The classical aesthetics centers on the relationship between the writer and the his works, while Wang, centering on the relationship between the writer and social reality, transformed the origin of significance of the art of literature from the explanation to the examination of the real life, reorganized the system of classical aesthetic scope and realized the modern transformation of classical aesthetics.