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The painter from Sinaloa: artistic analysis of a case of spatial agnosia and neglect of visual shapes
Authors:Juan Manuel Orjuela-Rojas  Ana Luisa Sosa-Ortiz  Ana Ruth Díaz-Victoria  Oscar René Marrufo Melendez  Nicolás Leyva Townsend
Institution:1. Neuropsychiatry Unit, National Institute of Neurology and Neurosurgery, Mexico City, Mexico;2. Laboratory of Dementias, National Institute of Neurology and Neurosurgery, Mexico City, Mexico;3. Cognitive and Behavior Unit, National Institute of Neurology and Neurosurgery, Mexico City, Mexico;4. Independent researcher, Bogotá, Colombia
Abstract:Paintings produced spontaneously by patients with neurological lesions represent a fascinating opportunity to analyze some aspects of the underlying disease and involved brain mechanisms. Many cases of artists who have suffered spatial neglect following a neurological disease have been reported in the literature. However, only a few studies evaluating the different subtypes of graphic neglect and aspects related to the construction of perspective (three dimensionality) in works of art have been published. In the present article, we present the case of an artist who, after resection of a central neurocytoma that affected the right thalamo-parietal connections, suffered an impairment of the ability to create perspective in his paintings and involuntary omission of only shapes in the left side of his paintings, although colors and contours were preserved.
Keywords:Neglect  spatial agnosia  artist  painting  central neurocytoma
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